Music and theological method: A Lonerganian approach
Journal article
Heaney, Maeve Louise. (2016). Music and theological method: A Lonerganian approach. Theological Studies. 77(3), pp. 678 - 703. https://doi.org/10.1177/0040563916652399
| Authors | Heaney, Maeve Louise |
|---|---|
| Abstract | Music has for the most part been relatively absent from theological aesthetics, specifically in relation to theological method. The epistemological framework of Bernard Lonergan allows us to bring insights from music studies into dialogue with Lonergan’s writings on art, the aesthetic and artistic patterns of experience, and music. The author makes a case for the integration of music—both listening to and making music—within theological method. |
| Keywords | Thomas Aquinas; art; beauty; experience; Bernard J. Lonergan; music; theological aesthetics; theological method |
| Year | 2016 |
| Journal | Theological Studies |
| Journal citation | 77 (3), pp. 678 - 703 |
| Publisher | SAGE Publications Inc. |
| ISSN | 0040-5639 |
| Digital Object Identifier (DOI) | https://doi.org/10.1177/0040563916652399 |
| Scopus EID | 2-s2.0-84982892934 |
| Page range | 678 - 703 |
| Research Group | School of Theology |
| Publisher's version | File Access Level Controlled |
| Place of publication | United States of America |
Permalink -
https://acuresearchbank.acu.edu.au/item/88086/music-and-theological-method-a-lonerganian-approach
Restricted files
Publisher's version
(1 files)
134
total views0
total downloads0
views this month0
downloads this month
Export as
Related outputs
Suspended God : Music and a theology of doubt
Heaney, Maeve Louise. (2022). Suspended God : Music and a theology of doubt T&T Clark.Meet you in the middle of the air
Heaney, Maeve Louise. (2020). Meet you in the middle of the air [Composition].I think I might
Heaney, Maeve Louise. (2020). I think I might [Composition].Down under
Heaney, Maeve Louise. (2020). Down under [Composition].Meet my friend
Heaney, Maeve Louise. (2020). Meet my friend [Composition].Can I have this dance?
Heaney, Maeve Louise. (2020). Can I have this dance [Composition].God by any other name
Heaney, Maeve Louise. (2020). God by any other name [Composition].Strange life
Heaney, Maeve Louise. (2020). Strange life [Composition].In the pouring rain (lament)
Heaney, Maeve Louise. (2020). In the pouring rain (lament) [Composition].Song Unfolding (for Julian)
Heaney, Maeve Louise. (2020). Song Unfolding (for Julian) [Composition].Every moving light
Heaney, Maeve Louise. (2020). Every moving light [Composition].Come alive
Heaney, Maeve Louise. (2020). Come alive [Composition].Nameless
Heaney, Maeve Louise. (2020). Nameless [Composition].Openness to faith as a disposition for teachers in Catholic schools
Horner, Robyn, Pollefeyt, Didier, Bouwens, Jan, Brown, Teresa, Jacobs-Vandegeer, Christiaan, Heaney, Maeve-Louise and Buchanan, Michael. (2020). Openness to faith as a disposition for teachers in Catholic schools. International Journal of Practical Theology. 24(2), pp. 231-251. https://doi.org/10.1515/ijpt-2019-0044A hermeneutical exploration of the revelatory text of John 4:1–42, in a performative key
Heaney, Maeve Louise. (2020). A hermeneutical exploration of the revelatory text of John 4:1–42, in a performative key. Theological Studies. 81(2), pp. 278 - 302. https://doi.org/10.1177/0040563920935609Music's multilayered subversion of the Word
Heaney, Maeve Louise and Hillman, Roger. (2017). Music's multilayered subversion of the Word. Literature and Theology: an international journal of religion, theory and culture. 31(2), pp. 200 - 214. https://doi.org/10.1093/litthe/frx014Mercy, music, and the prophetic voice of theology: Jon Sobrino’s extra pauperes nulla salus
Heaney, Maeve Louise. (2017). Mercy, music, and the prophetic voice of theology: Jon Sobrino’s extra pauperes nulla salus. In In M. O'Connor, H.-A. Kim and C. Labriola (Ed.). Music, theology, and justice pp. 43 - 62 Rowman & Littlefield Publishers.Our hyphenated existences: When the studio becomes the study
Heaney, Maeve Louise. (2016). Our hyphenated existences: When the studio becomes the study. ARTS: The Arts in Religious and Theological Studies. 27(3), pp. 7 - 13.The taste and touch of music grounding the sacred performance
Heaney, Maeve Louise. (2015). The taste and touch of music grounding the sacred performance Strathfield, Australia:Phillipine concert series
Heaney, Maeve Louise. (2015). Phillipine concert seriesSingapore seminar and concert archdiocesan symposium
Heaney, Maeve Louise. (2015). Singapore seminar and concert archdiocesan symposium [Performance].Time
Heaney, Maeve Louise. (2014). Time Dee Why, NSW: Willow Publishing.Dancing in our minds
Heaney, Maeve Louise. (2014). Dancing in our minds Dee Why, NSW: Willow Publishing.Ascending grace: a movement back into the world
Heaney, Maeve Louise. (2014). Ascending grace: a movement back into the world. Sarts-Society for the Arts in Religious and Theological Studies. 25(2), pp. 1 - 9.The rules of mercy never change
Heaney, Maeve Louise. (2014). The rules of mercy never change Dee Why, NSW: Willow Publishing.Lead kindly light
Heaney, Maeve Louise. (2014). Lead kindly light [Composition].For you, for them
Heaney, Maeve Louise. (2014). For you, for them Dee Why, NSW: Willow Publishing.Dreams
Heaney, Maeve Louise. (2014). Dreams Dee Why, NSW: Willow Publishing.