Music and theological method: A Lonerganian approach
Journal article
Heaney, Maeve Louise. (2016). Music and theological method: A Lonerganian approach. Theological Studies. 77(3), pp. 678 - 703. https://doi.org/10.1177/0040563916652399
Authors | Heaney, Maeve Louise |
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Abstract | Music has for the most part been relatively absent from theological aesthetics, specifically in relation to theological method. The epistemological framework of Bernard Lonergan allows us to bring insights from music studies into dialogue with Lonergan’s writings on art, the aesthetic and artistic patterns of experience, and music. The author makes a case for the integration of music—both listening to and making music—within theological method. |
Keywords | Thomas Aquinas; art; beauty; experience; Bernard J. Lonergan; music; theological aesthetics; theological method |
Year | 2016 |
Journal | Theological Studies |
Journal citation | 77 (3), pp. 678 - 703 |
Publisher | SAGE Publications Inc. |
ISSN | 0040-5639 |
Digital Object Identifier (DOI) | https://doi.org/10.1177/0040563916652399 |
Scopus EID | 2-s2.0-84982892934 |
Page range | 678 - 703 |
Research Group | School of Theology |
Publisher's version | File Access Level Controlled |
Place of publication | United States of America |
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https://acuresearchbank.acu.edu.au/item/88086/music-and-theological-method-a-lonerganian-approach
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