William Morris and the uses of nostalgia: Memory in the early and late poetry

Journal article


Alfano, Veronica 2018. William Morris and the uses of nostalgia: Memory in the early and late poetry. Victorian Studies: a journal of the humanities, arts and sciences. 60 (2), pp. 243 - 254. https://doi.org/10.2979/victorianstudies.60.2.10
AuthorsAlfano, Veronica
Abstract

The stylized medievalism of William Morris's The Defence of Guenevere, and Other Poems (1858)—often expressed in cryptically condensed and iterative ballad stanzas—appears to reflect asocial and escapist nostalgia. Memory, however, is politicized in the Chants for Socialists that Morris wrote during the 1880s and early 1890s. These poems' conventional and repetitive forms underscore the communal nature of identity, and their commemoration of the dead awakens activist fervor. Yet readings of two representative poems reveal vital continuities between Morris's early and late poetry; after all, the Chants are also at times nostalgic in their admiration of pre-capitalist communities and their urge to cultivate imaginative solidarity with past eras. And paradoxically, in The Defence of Guenevere, self-justifying poetic beauty that uses retrospection to resist the demands of an industrializing society can itself lay claim to political utility.

Year2018
JournalVictorian Studies: a journal of the humanities, arts and sciences
Journal citation60 (2), pp. 243 - 254
PublisherIndiana University
ISSN0042-5222
Digital Object Identifier (DOI)https://doi.org/10.2979/victorianstudies.60.2.10
Scopus EID2-s2.0-85049795137
Open accessOpen access
Page range243 - 254
Research GroupInstitute for Religion and Critical Inquiry
Publisher's version
Place of publicationUnited States of America
Permalink -

https://acuresearchbank.acu.edu.au/item/882xw/william-morris-and-the-uses-of-nostalgia-memory-in-the-early-and-late-poetry

Download files

  • 1
    total views
  • 1
    total downloads
  • 1
    views this month
  • 1
    downloads this month

Export as

Related outputs

The role of art in emotional-moral reflection on risky and controversial technologies: The case of BNCI
Roeser, Sabine, Alfano, Veronica and Nevejan, Caroline 2018. The role of art in emotional-moral reflection on risky and controversial technologies: The case of BNCI. Ethical Theory and Moral Practice. 21 (2), pp. 275 - 289. https://doi.org/10.1007/s10677-018-9878-6
The lyric in Victorian memory: Poetic remembering and forgetting from Tennyson to Housman
Alfano, Veronica 2017. The lyric in Victorian memory: Poetic remembering and forgetting from Tennyson to Housman. Cham, Switzerland: Palgrave MacMillan.
Technologies of forgetting: Phonographs, lyric voice, and Rossetti's woodspurge
Alfano, Veronica 2017. Technologies of forgetting: Phonographs, lyric voice, and Rossetti's woodspurge. Victorian Poetry. 55 (2), pp. 127 - 161. https://doi.org/10.1353/vp.2017.0009
A. E. Housman’s Ballad Economies
Alfano, Veronica 2016. A. E. Housman’s Ballad Economies. in: J. Ford, K. Edwards and P. Pulham (ed.) Economies of desire at the Victorian Fin de Siècle: Libidinal lives New York, United States of America: Routledge. pp. 35 - 61
A.E. Housman's Ballad Economies
Alfano, Veronica 2016. A.E. Housman's Ballad Economies. in: J. For, K. E. Keates and P. Pulham (ed.) United States: Routledge. pp. 35 - 61
“If He caught me here, / O’erheard this speech”: Audience, Performance, and Genre in Browning’s “Caliban upon Setebos”
Alfano, Veronica 2013. “If He caught me here, / O’erheard this speech”: Audience, Performance, and Genre in Browning’s “Caliban upon Setebos”. Victorians: A journal of culture and literature. 123, pp. 52 - 65.
Grandmothers in the archive: Three digital collections of women's writing
Alfano, Veronica 2012. Grandmothers in the archive: Three digital collections of women's writing. Feminist Studies. 38 (2), pp. 363 - 374.