Music's multilayered subversion of the Word
Journal article
Heaney, Maeve Louise and Hillman, Roger. (2017). Music's multilayered subversion of the Word. Literature and Theology: an international journal of religion, theory and culture. 31(2), pp. 200 - 214. https://doi.org/10.1093/litthe/frx014
| Authors | Heaney, Maeve Louise and Hillman, Roger |
|---|---|
| Abstract | This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology—Jean-Jacques Nattiez’s semiological tripartition method and Bernard Lonergan’s understanding of consciousness and intentional analysis—the article explores various aspects of the relationship between words and music from a theological perspective. The aim is to present and exemplify music’s contribution to the resonance and complexity of words and thought in theological discourse. |
| Year | 2017 |
| Journal | Literature and Theology: an international journal of religion, theory and culture |
| Journal citation | 31 (2), pp. 200 - 214 |
| Publisher | Oxford University Press |
| ISSN | 0269-1205 |
| Digital Object Identifier (DOI) | https://doi.org/10.1093/litthe/frx014 |
| Page range | 200 - 214 |
| Research Group | School of Arts |
| Publisher's version | File Access Level Controlled |
| Place of publication | United Kingdom |
| Editors | M. Griffith and E. Lindsay |
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