Leery Sue goes to the show: Popular performance, sexuality and the disorderly girl
Book chapter
Bellanta, Melissa. (2016). Leery Sue goes to the show: Popular performance, sexuality and the disorderly girl. In In S. Robinson and S. Sleight (Ed.). Children, childhood and youth in the British World pp. 237 - 251 Palgrave Macmillan. https://doi.org/10.1007/978-1-137-48941-8_14
Authors | Bellanta, Melissa |
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Editors | S. Robinson and S. Sleight |
Abstract | On a Saturday night in 1887, 13-year-old Mary Ann M., a resident of the inner-industrial Sydney district of Waterloo, paid a visit to Paddy’s Market. After winding past the sideshows and colourful stalls, the sound of bands and the calls of vendors, she ended up talking with a group of ‘larrikin’ youths in the streets outside. ‘Larrikin’ was a colloquialism used throughout colonial Australasia in this period, most often in Sydney and Melbourne. It described participants in an urban youth subculture based around loose-knit street gangs known as ‘larrikin pushes’ or ‘mobs’. Composed of young people of both sexes aged between their early teens and early 20s, the larrikin subculture was characterized by a hectic enjoyment of popular entertainments, street-smart dress, burlesque humour, a love of pugilism and clashes with police. It was also characterized by sexual activity, including group acts of male sexual violence towards women.1 |
Page range | 237 - 251 |
Year | 2016 |
Book title | Children, childhood and youth in the British World |
Publisher | Palgrave Macmillan |
Place of publication | United Kingdom |
ISBN | 9781137489401 |
Digital Object Identifier (DOI) | https://doi.org/10.1007/978-1-137-48941-8_14 |
Research Group | School of Arts |
Publisher's version | File Access Level Controlled |
https://acuresearchbank.acu.edu.au/item/8q4v5/leery-sue-goes-to-the-show-popular-performance-sexuality-and-the-disorderly-girl
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