Salman Rushdie and the world picture of Islam

Book chapter


Ganguly, Debjani. (2020). Salman Rushdie and the world picture of Islam. In In Seigneurie, Ken (Ed.). A companion to world literature pp. 1-11 John Wiley & Sons Ltd. https://doi.org/10.1002/9781118635193.ctwl0234
AuthorsGanguly, Debjani
EditorsSeigneurie, Ken
Abstract

This chapter analyzes Salman Rushdie's agonistic relationship with Islam as theology and as a geopolitical ideal. It explores Rushdie's lifelong engagement with Islam as a world-making power, and the limits and possibilities of reading his works theologically. The chapter argues that the magic realist mode that Rushdie deploys in novels such as The Satanic Verses, Midnight's Children, The Moor's Last Sigh, Shalimar the Clown, and Two Years Eight Months and Twenty-Eight Nights generates a novelistic vision of Islam that simultaneously aspires to a secularization of this embattled religious faith and a return to its philosophical and cultural riches in the late medieval era. It is generative, the chapter avers, to read the Satanic Verses controversy less as a clash between a medieval morality and an enlightened aesthetic than as a fissure between two modes of the aesthetic, one that has the theological as its horizon, and the other a modernist secularism.

Page range1-11
Year2020
Book titleA companion to world literature
PublisherJohn Wiley & Sons Ltd
Place of publicationHoboken, New Jersey
ISBN9781118635193
9781118993187
Digital Object Identifier (DOI)https://doi.org/10.1002/9781118635193.ctwl0234
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All rights reserved
File Access Level
Controlled
Output statusPublished
Publication dates
Online03 Jan 2020
Print2020
Publication process dates
Deposited20 Oct 2023
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