Defacing god's work : Metamorphosis and the 'Mimicall Asse' in the age of Shakespeare

Book chapter


Carver, Robert Henry Fielding. (2017). Defacing god's work : Metamorphosis and the 'Mimicall Asse' in the age of Shakespeare. In Transformative Change in Western Thought: A History of Metamorphosis from Homer to Hollywood pp. 273-306 Routledge. https://doi.org/10.4324/9781315084640-10
AuthorsCarver, Robert Henry Fielding
Abstract

If the English Middle Ages can be characterized by their general reticence in metamorphic matters, people might instinctively expect more liberal attitudes and expressions in the early-modern period. For most of the play, the protagonist makes little or no use of his supposed power to shift his own shape, although there are some para-metamorphic moments. Shakespeare borrowed a good deal from Marlowe as well as from Lyly, and he played with metamorphosis throughout his career. One of the most disturbing examples of the interpenetration of fact and fiction, reality and fable, is Nicholas Remy's Demonolatry, a text which has not previously featured in discussions of A Midsummer Night's Dream. All this material, arcane and convoluted as it is, supplies a web of sub-texts, both to the metamorphosis itself and to the Theseus' famous speech on Reason, Poets, Madmen, and Imagination.

KeywordsTransformation; Shapeshifting; Metamorphosis
Page range273-306
Year01 Jan 2017
Book titleTransformative Change in Western Thought: A History of Metamorphosis from Homer to Hollywood
PublisherRoutledge
Place of publicationUnited Kingdom
ISBN978-1-31-508464-0
Digital Object Identifier (DOI)https://doi.org/10.4324/9781315084640-10
Web address (URL)https://www.taylorfrancis.com/chapters/edit/10.4324/9781315084640-10/defacing-god-work-metamorphosis-mimicall-asse-age-shakespeare-robert-carver
Open accessPublished as non-open access
Research or scholarlyScholarly
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Output statusPublished
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Print2013
Publication process dates
Deposited17 Jan 2024
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© Modern Humanities Research Association and Tayor & Francis 2013.

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