Medieval graffiti inscriptions

Book chapter


Champion, Matthew Simeon. (2018). Medieval graffiti inscriptions. In The Oxford Handbook of Later Medieval Archaeology in Britain pp. 626-640 Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198744719.013.66
AuthorsChampion, Matthew Simeon
Abstract

Although the study of medieval church graffiti inscriptions has a long pedigree, recent large-scale surveys have brought to light tens of thousands of previously unknown examples. Perhaps the most intriguing aspect of the new discoveries is the fact that the vast majority of these early graffiti, where intelligible, have been shown to have distinctly spiritual, devotional, or votive meaning. Whilst the most obvious of these take the form of prayers or invocations, sometimes written in the conventional Latin forms of the Orthodox Church, many others appear to have been created in non-traditional forms. Vast numbers of these early inscriptions appear to reflect aspects of lay piety and belief, having an apotropaic function, and represent a personal interaction between parishioner and the medieval church. Taken together they indicate that medieval graffiti were regarded as both accepted and acceptable forms of devotion.

Keywordsgraffiti; medieval church; apotropaic; devotion; votive; belief; inscriptions; lay piety; ritual protection
Page range626-640
Year01 Jan 2018
Book titleThe Oxford Handbook of Later Medieval Archaeology in Britain
PublisherOxford University Press
Place of publicationUnited Kingdom
SeriesOxford Handbooks
ISBN9780198744719
Digital Object Identifier (DOI)https://doi.org/10.1093/oxfordhb/9780198744719.013.66
Web address (URL)https://academic.oup.com/edited-volume/34669/chapter/295396996
Open accessPublished as non-open access
Research or scholarlyResearch
Publisher's version
License
All rights reserved
File Access Level
Controlled
Output statusPublished
Publication dates
Print05 Feb 2018
Publication process dates
Deposited01 Feb 2024
Additional information

© Oxford University Press 2018

Permalink -

https://acuresearchbank.acu.edu.au/item/90202/medieval-graffiti-inscriptions

Restricted files

Publisher's version

  • 6
    total views
  • 0
    total downloads
  • 3
    views this month
  • 0
    downloads this month
These values are for the period from 19th October 2020, when this repository was created.

Export as

Related outputs

Emotions, time and narrative: A liturgical frame
Champion, Matthew S.. (2020). Emotions, time and narrative: A liturgical frame. In In A. Lynch and S. Broomhall (Ed.). The Routledge History of Emotions in Europe: 1100-1700 pp. 30 - 42 Routledge, Taylor & Francis Group. https://doi.org/10.4324/9781315190778-3
Emotions, Time And Narrative : A liturgical frame
Champion, Matthew Simeon. (2019). Emotions, Time And Narrative : A liturgical frame. In The Routledge History of Emotions in Europe: 1100-1700 pp. 30-42 Routledge. https://doi.org/10.4324/9781315190778-4
Musicalising history
Champion, Matthew S. and Stanyon, Miranda. (2019). Musicalising history. Transactions of the Royal Historical Society. 29, pp. 79 - 103. https://doi.org/10.1017/S0080440119000045
The fullness of time : Temporalities of the fifteenth-century low countries
Champion, Matthew S.. (2017). The fullness of time : Temporalities of the fifteenth-century low countries The University of Chicago Press. https://doi.org/10.7208/chicago/9780226514826.001.0001
Emotions and the social order of time : Constructing history at Louvain’s Carthusian House, 1486-1525
Champion, Matthew Simeon. (2016). Emotions and the social order of time : Constructing history at Louvain’s Carthusian House, 1486-1525. In Gender and Emotions in Medieval and Early Modern Europe: Destroying order, Structuring Disorder pp. 89-108 Taylor and Francis. https://doi.org/10.4324/9781315583884