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Music and theological method: A Lonerganian approach
Heaney, Maeve Louise
Heaney, Maeve Louise
Author
Abstract
Music has for the most part been relatively absent from theological aesthetics, specifically in relation to theological method. The epistemological framework of Bernard Lonergan allows us to bring insights from music studies into dialogue with Lonergan’s writings on art, the aesthetic and artistic patterns of experience, and music. The author makes a case for the integration of music—both listening to and making music—within theological method.
Keywords
Thomas Aquinas, art, beauty, experience, Bernard J. Lonergan, music, theological aesthetics, theological method
Date
2016
Type
Journal article
Journal
Theological Studies
Book
Volume
77
Issue
3
Page Range
678-703
Article Number
ACU Department
School of Theology
Faculty of Theology and Philosophy
Faculty of Theology and Philosophy
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Open Access Status
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