The role of art in emotional-moral reflection on risky and controversial technologies: The case of BNCI

Journal article


Roeser, Sabine, Alfano, Veronica and Nevejan, Caroline. (2018). The role of art in emotional-moral reflection on risky and controversial technologies: The case of BNCI. Ethical Theory and Moral Practice. 21(2), pp. 275 - 289. https://doi.org/10.1007/s10677-018-9878-6
AuthorsRoeser, Sabine, Alfano, Veronica and Nevejan, Caroline
Abstract

In this article, we explore the role that art can play in ethical reflection on risky and controversial technologies. New technologies often give rise to societal controversies about their potential risks and benefits. Over the last decades, social scientists, psychologists, and philosophers have criticized quantitative approaches to risk on the grounds that they oversimplify its societal and ethical implications. There is broad consensus amongst these scholars that stakeholders and their values and concerns should be included in decision-making about technological risks. It has also been argued that the emotional responses of people can shed important light on the ethical aspects of risk and uncertainty. However, people’s emotions can be narrowly focused and biased. This article therefore assesses the role that technology-inspired artworks can play in overcoming such biases, by challenging our imagination and providing us with different perspectives on possible technological developments and their implications for society. Philosophers have not yet studied such artworks, so this constitutes an entirely new field of research for scholars of risk and moral theory. In particular, we focus on the case of BNCI (Brain/Neural Computer Interface) technologies and related artworks. These technologies and artworks touch on questions of what it means to be human, thereby raising profound ethical and philosophical challenges. We discuss the experiences of artists, scientists, and engineers who are directly involved with BNCI technologies, and who were interviewed during a Hackathon at Amsterdam’s Waag Society in June 2016. Their views are analyzed in light of philosophical and aesthetic theories, which allows us to consider relevant ethical and conceptual issues as well as topics for further investigation.

KeywordsRisk; Controversial technologies; Art; Aesthetics; Emotions; Ethics; Brain/neural computer interfaces
Year2018
JournalEthical Theory and Moral Practice
Journal citation21 (2), pp. 275 - 289
PublisherSpringer Netherlands
ISSN1386-2820
Digital Object Identifier (DOI)https://doi.org/10.1007/s10677-018-9878-6
Scopus EID2-s2.0-85044574578
Open accessOpen access
Page range275 - 289
Research GroupInstitute for Religion and Critical Inquiry
Publisher's version
Place of publicationNetherlands
Permalink -

https://acuresearchbank.acu.edu.au/item/859y0/the-role-of-art-in-emotional-moral-reflection-on-risky-and-controversial-technologies-the-case-of-bnci

  • 134
    total views
  • 106
    total downloads
  • 2
    views this month
  • 1
    downloads this month
These values are for the period from 19th October 2020, when this repository was created.

Export as

Related outputs

William Morris and the uses of nostalgia: Memory in the early and late poetry
Alfano, Veronica. (2018). William Morris and the uses of nostalgia: Memory in the early and late poetry. Victorian Studies: a journal of the humanities, arts and sciences. 60(2), pp. 243 - 254. https://doi.org/10.2979/victorianstudies.60.2.10
The lyric in Victorian memory: Poetic remembering and forgetting from Tennyson to Housman
Alfano, Veronica. (2017). The lyric in Victorian memory: Poetic remembering and forgetting from Tennyson to Housman Palgrave Macmillan. https://doi.org/10.1007/978-3-319-51307-2
Technologies of forgetting: Phonographs, lyric voice, and Rossetti's woodspurge
Alfano, Veronica. (2017). Technologies of forgetting: Phonographs, lyric voice, and Rossetti's woodspurge. Victorian Poetry. 55(2), pp. 127 - 161. https://doi.org/10.1353/vp.2017.0009
A. E. Housman’s Ballad Economies
Alfano, Veronica. (2016). A. E. Housman’s Ballad Economies. In In J. Ford, K. Edwards and P. Pulham (Ed.). Economies of desire at the Victorian Fin de Siècle: Libidinal lives pp. 35 - 61 Routledge.
A.E. Housman's Ballad Economies
Alfano, Veronica. (2016). A.E. Housman's Ballad Economies. In In J. For, K. E. Keates and P. Pulham (Ed.). pp. 35 - 61 Routledge.
“If He caught me here, / O’erheard this speech”: Audience, Performance, and Genre in Browning’s “Caliban upon Setebos”
Alfano, Veronica. (2013). “If He caught me here, / O’erheard this speech”: Audience, Performance, and Genre in Browning’s “Caliban upon Setebos”. Victorians: A journal of culture and literature. 123, pp. 52 - 65.
Grandmothers in the archive: Three digital collections of women's writing
Alfano, Veronica. (2012). Grandmothers in the archive: Three digital collections of women's writing. Feminist Studies. 38(2), pp. 363 - 374.