The court masque : Art and politics

Book chapter

Holbrook, Peter. (2019). The court masque : Art and politics. In In Poole, Kristen and Shohet, Lauren (Ed.). Gathering force : Early modern British literature in transition, 1557–1623 : volume 1 pp. 161-177 Cambridge University Press. https://doi.org/10.1017/9781108303774.010
AuthorsHolbrook, Peter
EditorsPoole, Kristen and Shohet, Lauren
Abstract

[Extract] That spectacular form of Renaissance court entertainment known as the masque – a sort of total artwork involving poetry, music, spell-binding scenery, lighting, costumes, and, above all, dancing – was a mode of avant-garde display dedicated to the innovative politics of royal absolutism gaining ground in sixteenth- and seventeenth-century Europe. Part of a comprehensive tradition of royal pastimes and ceremony (including progresses through the realm, entries into cities, and disguisings), the masque, which in England reached its apogee under the Stuart monarchs James I and Charles I, was dedicated to glorifying, mythologizing, and legitimating monarchy, via a complex iconographical and literary-aesthetic-philosophical program.

Page range161-177
Year2019
Book titleGathering force : Early modern British literature in transition, 1557–1623 : volume 1
PublisherCambridge University Press
Place of publicationCambridge, United Kingdom
SeriesEarly modern British literature in transition, 1557-1623
ISBN9781108303774
9781108419635
Digital Object Identifier (DOI)https://doi.org/10.1017/9781108303774.010
Scopus EID2-s2.0-85128558282
Publisher's version
License
All rights reserved
File Access Level
Controlled
Output statusPublished
Publication dates
Print2019
OnlineJan 2019
Publication process dates
Deposited06 Apr 2021
Permalink -

https://acuresearchbank.acu.edu.au/item/8v982/the-court-masque-art-and-politics

Log in to edit

Restricted files

Publisher's version

  • 67
    total views
  • 0
    total downloads
  • 3
    views this month
  • 0
    downloads this month
These values are for the period from 19th October 2020, when this repository was created.

Export as

Related outputs

The idea of communism in Shakespeare
Holbrook, Peter. (2020). The idea of communism in Shakespeare. In In Ruiter, David (Ed.). The Arden research handbook of Shakespeare and social justice pp. 251-265 Bloomsbury Academic. https://doi.org/10.5040/9781350140394.ch-020
Passionate Shakespeare
Holbrook, Peter. (2020). Passionate Shakespeare. In In Craik, Katharine A. (Ed.). Shakespeare and emotion pp. 181-195 Cambridge University Press. https://doi.org/10.1017/9781108235952.014
Literature : The solicitation of the passions
Holbrook, Peter. (2020). Literature : The solicitation of the passions. In In Lynch, Andrew and Broomhall, Susan (Ed.). The Routledge history of emotions in Europe : 1100-1700 pp. 406-418 Routledge. https://doi.org/10.4324/9781315190778-32
Drama
Holbrook, Peter. (2019). Drama. In In Walker, Claire, Barclay, Katie and Lemmings, David (Ed.). A cultural history of the emotions in the Baroque and Enlightenment Age pp. 71-84 Bloomsbury Publishing. https://doi.org/10.5040/9781474207041.ch-004
Shakespeare and dependency
Holbrook, Peter. (2018). Shakespeare and dependency. In In Bishop, Tom and Joubin, Alexa Alice (Ed.). The Shakespearean international yearbook ; 17 : Special section, Shakespeare and value pp. 74-83 Routledge.
Shakespeare and philosophy
Holbrook, Peter. (2017). Shakespeare and philosophy. In In Levenson, Jill L. and Ormsby, Robert (Ed.). The Shakespearean world pp. 512-526 Routledge. https://doi.org/10.4324/9781315778341-30
Stevenson’s metaphysics
Holbrook, Peter. (2017). Stevenson’s metaphysics. In In Hill, Richard J. (Ed.). Robert Louis Stevenson and the Great Affair : Movement, memory and modernity pp. 27-40 Routledge. https://doi.org/10.4324/9781315606712-3
Materialist and Political Criticism
Holbrook, Peter James. (2016). Materialist and Political Criticism. In The Cambridge Guide to the Worlds of Shakespeare - Volume 2 pp. 1774-1781 Cambridge University Press. https://doi.org/10.1017/9781316137062.250
Introduction : Great creating Shakespeare
Edmondson, Paul and Holbrook, Peter. (2016). Introduction : Great creating Shakespeare. In In Edmondson, Paul and Holbrook, Peter (Ed.). Shakespeare's creative legacies : Artists, writers, performers, readers pp. 1-7 Bloomsbury Arden Shakespeare. https://doi.org/10.5040/9781474234528.0008
English Renaissance tragedy : Ideas of freedom
Holbrook, Peter. (2015). English Renaissance tragedy : Ideas of freedom Bloomsbury Publishing. https://doi.org/10.5040/9781472572844
Afterword
Holbrook, Peter. (2015). Afterword. In In Meek, Richard and Sullivan, Erin (Ed.). The Renaissance of emotion : Understanding affect in Shakespeare and his contemporaries pp. 264-272 Manchester University Press.
Nietzsche's Shakespeare
Holbrook, Peter. (2014). Nietzsche's Shakespeare. In In Bates, Jennifer Ann and Wilson, Richard (Ed.). Shakespeare and Continental Philosophy pp. 76-93 Edinburgh University Press.
Context and contextualisation : Remarks on the work of Ian Hunter
Holbrook, Peter. (2014). Context and contextualisation : Remarks on the work of Ian Hunter. History of European Ideas. 40(1), pp. 96-102. https://doi.org/10.1080/01916599.2013.784039
Shakespeare, Montaigne, and classical reason
Holbrook, Peter. (2014). Shakespeare, Montaigne, and classical reason. In In Gray, Patrick and Cox, John D. (Ed.). Shakespeare and Renaissance Ethics pp. 261-283 Cambridge University Press. https://doi.org/10.1017/CBO9781107786158.016
Preface
Butler, Rex and Holbrook, Peter. (2014). Preface. History of European Ideas. 40(1), pp. 1-2. https://doi.org/10.1080/01916599.2013.784018